Publications

Books


Articles

“Archaelogy and Dance: Kinaesthetic Memories between the Eighteenth and Nineteenth Centuries” in Franco Susanne, Nordera Marina (eds.), The Oxford Handbook of Dance and Memory, Oxford, Oxford University Press (forthcoming).

“Language & Literature. The encoding/decoding society” in Schroedter Stephanie (ed.), A Cultural History of Dance in the Age of Romanticism and Industrialisation (1789-1914), London, New York, Oxford, Bloomsbury, (forthcoming).

“Les dessins de Charles Blasis pour Méphistophélès : la préfiguration d’un ballet à travers l’image” in Chevalier Pauline, Ligore Bruno (eds.), Faire image. Noter et dessiner la danse au début du XIXe siècle, Paris, INHA (forthcoming).

“Scenic tableaux and Arabesques” in Chevalier Pauline, Royer Amandine (eds.), Choreographies. Drawing, Dancing 17th-21st centuries, Paris, INHA, Besançon, Musée des Beaux-Arts et d’Archéologie, Lienart, 2025, pp. 122-135.

“Sensibilités icariennes entre XVIIIe et XIXe siècle”, Repères. Cahiers de danse, “La suspension“, n. 44, 2019, pp. 10-11.

“No sólo ópera, el ballet europeo en Rosario durante el siglo XIX”, in Hermida Elida, Ibarlucia Ricardo (eds.), El Triunfo de Palas. Dialogo entre las ciencias, Buenos Aires, UNSAM, 2017, pp. 65-73.


Catalogue and Dictionary entries

(with Alessandro Campeggiani) “Medievalism and Western theatrical Dance”, in Licia Buttà (ed.), Dictionnary of Medievalism, (forthcoming).

“Carlo Blasis”, “Jean-Louis Aumer”, and “Edward Allcock Théleur” in Chevalier Pauline, Royer Amandine (ed.), Choreographies. Drawing, Dancing. 17th-21st centuries, Paris, INHA, Besançon, Musée des Beaux-Arts et d’Archéologie, Lienart, 2025, pp. 122-135.


Program articles

“Aufbruch ins Jahr 1832: Vater und Tochter auf dem Höhepunkt ihrer Leistungsfähigkeit”, La Sylphide, Bayerische Staatsoper, 2024/2025 season.

“Marie Taglioni et l’entreprise Taglioni”, La Sylphide, Opéra de Paris, 2016/2017 season, pp. 74-79.


Other proceedings